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The Foreign Films Distraction

By Quin Halliwell | May 9, 2025foreign films

You probably didn’t wake up this week thinking about subtitles and more tariff lies. You probably should have the way it’s been going.

But if you listened to the usual noise machine, you’d think international cinema was the most urgent threat to American identity since critical race theory learned to read.

Let me catch you up:

Earlier this year, conservative lawmakers launched a media blitz over the Oscars nominating a Palestinian director for Best Documentary. Despite the film being independently funded and widely acclaimed, headlines focused on “anti-American messaging” and “Hollywood betrayal”—igniting a weeklong distraction cycle while budget talks collapsed in Congress.

Cue the hashtags. Cue the hearings. Cue the fundraising emails.

And just like that, we’ve got another distraction campaign—manufactured outrage at full volume—designed to hijack the headlines and keep us too dizzy to ask better questions.


The Anatomy of a Distraction

Let’s name it plainly: this isn’t about movies. It is not about foreign films.

It’s about narrative control.

When politicians can’t solve real problems, they invent symbolic ones.
When your policies create pain, you sell identity panic instead.

Foreign films are just this week’s vessel. Last week it was drag shows. Before that? Gas stoves. And somewhere in between, someone found a way to blame inflation on Muppets.

The goal is always the same:
Redirect attention. Reignite resentment. Retain power.

And they’re getting faster at it.


The Data Behind the Diversion

Let’s zoom in on what’s actually happening while we’re yelling about subtitles:

1. Layoffs in the Public Sector Are Surging
According to the latest Bureau of Labor Statistics data, nearly 42,000 federal workers were laid off or “restructured” in April alone. That includes inspectors, scientists, and case workers—people whose jobs actually affect our food, water, safety, and veterans’ benefits.

2. Tariffs Are Quietly Gutting the Economy (Again) – beyond this Foreign Films intentional distraction
The administration has quietly reinstated tariffs on key imports from China and South America. The Peterson Institute estimates this could cost American consumers an additional $320 per household per year, mostly through rising prices on everyday goods like electronics, clothing, and produce.

3. Book Bans and Education Gags Continue to Climb
PEN America’s latest report shows over 4,200 educational titles have been removed from school libraries in 2025 alone. That includes books on civil rights, science, gender, and even American history. In some districts, To Kill a Mockingbird is out—but talking points about American exceptionalism are in.

4. Food Insecurity is Back on the Rise
Feeding America reports that food banks in 32 states are seeing higher demand than at any point since the pandemic peak. Why? Cuts to SNAP, housing assistance, and rising grocery prices. But sure—let’s yell about film festivals. This was before all the cuts.


Why Foreign Films Make an Easy Target

Movies matter. Stories shape us.
But that’s exactly why foreign films are being attacked—they represent other perspectives.

And right now, those in power are desperate to convince Americans that “foreign” means dangerous, disloyal, or undeserving. It’s not new—it’s McCarthyism with a YouTube channel.

By spinning a narrative that “real Americans” are being ignored while foreign creators get trophies, they stoke resentment without having to fix anything.

The irony, of course?

The average American streaming a foreign drama isn’t doing it because they hate this country.

They’re doing it because the stories are good—and sometimes because those stories say the quiet parts out loud.


What We Should’ve Been Watching

While social media flooded with anti-subtitle memes, here’s what we missed—or what they wanted us to miss:

  • The Department of Government Efficiency (DOGE) laid off another 12,000 employees—including veterans’ case managers and environmental field agents.

  • Elon Musk held a closed-door meeting with lawmakers about privatizing postal routes—yes, postal routes.

  • The EPA’s regional water division in the Southwest was quietly defunded, leaving tribal and rural communities to self-monitor contamination.

  • ICE detention raids increased by 17%, according to leaked DHS field reports.

And the cherry on top?
A congressional hearing on “cultural subversion in arts funding” was scheduled within 48 hours of the film award announcement—even though no taxpayer money was involved.

It’s like whack-a-mole—but the moles are real people, and the mallet is made of propaganda.


What This Moment Requires

Let me be blunt:
They are not winning because they’re right.
They are winning because they’re loud—and consistent.

We don’t need louder lies.
We need sharper memory, slower scrolling, and better questions.

Like:

  • Who benefits when our outrage is outsourced?

  • Why are the same lawmakers obsessed with censorship suddenly experts in cinema?

  • And who’s cutting your paycheck while you’re busy arguing about French dialogue?


A Note on Patriotism

You want to talk about “un-American”?
What’s more un-American than punishing curiosity?
Than firing teachers? Than banning books? Than replacing real debate with fake outrage?

This country was built by people who read banned books in three languages
and still showed up for the union meeting.


Call to Action

1. Follow the money, not the memes.
Use tools like OpenSecrets.org to see who’s funding distraction politics.

2. Share real stories.
Start with Liberty & Daisy’s Porch Talk on Glendale and Teacher Truth.
They remind us who’s still holding the line—and who they’re up against.

3. Don’t miss June 14.
50501 is about showing up when truth gets silenced.
This isn’t just a protest. It’s a memory test.
Find your state’s event here


Next Read:
Want the receipts behind fake recovery claims?
Check Joe Bob’s Bullshit-O-Meter on “Woke Lies” and real gas prices

Check out Liberty and Daisy on Porch Talk Grit yesterday


– Quin Halliwell

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